Arthur Schnitzler

Eyes Wide Shut de Stanley Kubrick: relatos soñados y deseos encadenados

Comparative Literature / Film Studies / Dreams (Psychology) / Stanley Kubrick / Film Aesthetics / Unconscious / Psycoanalisys / Arthur Schnitzler / Unconscious / Psycoanalisys / Arthur Schnitzler

Boletín de Estética, Nº 37

Music / Aesthetics / Pragmatism / Theatre Studies / Mimesis / Shakespeare / French Revolution / History of the Senses / Philosophy of Art / Habsburg Studies / Music Aesthetics / Metaphor / Donald Davidson / Austrian Literature / Montaigne / Ernest Renan / Drama and Theater / Empathy (Philosophy) / Empathy / Rubén Darío / Estética / Filosofía / Estetica / Hugo von Hofmannsthal / Ariel / Anthropology and Sociology of Food, Taste and the Senses / Taste / Estética, Filosofía Del Arte / Arthur Schnitzler / Filosofía del arte / Caliban / The Senses / Filosofia del arte / Theory of Mimesis / Claudio Magris / Estética Músical / Estética Musical / Theater / History of the Theater / Kendall Walton / Shakespearean literature / Shakespeare / French Revolution / History of the Senses / Philosophy of Art / Habsburg Studies / Music Aesthetics / Metaphor / Donald Davidson / Austrian Literature / Montaigne / Ernest Renan / Drama and Theater / Empathy (Philosophy) / Empathy / Rubén Darío / Estética / Filosofía / Estetica / Hugo von Hofmannsthal / Ariel / Anthropology and Sociology of Food, Taste and the Senses / Taste / Estética, Filosofía Del Arte / Arthur Schnitzler / Filosofía del arte / Caliban / The Senses / Filosofia del arte / Theory of Mimesis / Claudio Magris / Estética Músical / Estética Musical / Theater / History of the Theater / Kendall Walton / Shakespearean literature

El teatro de la Revolución francesa en el ocaso del Imperio habsbúrgico: Hofmannsthal y Schnitzler

Cultural Studies / Aesthetics / Theatre Studies / Literature / French Revolution / Habsburg Studies / Austrian Literature / Nineteenth-Century Literature and Culture / Fin de siècle Vienna / Estética / Teatro / German/Austrian/Swiss Drama and Theatre / 19th- and 20th-century German and Austrian literature / Hugo von Hofmannsthal / Arthur Schnitzler / Austrian Studies / Hofmannsthal / Claudio Magris / The Habsburg Myth / Austrian Theater / Carl Schorske / 19th-and 20 century Austrian Theater / Literatura europea del siglo XIX / Habsburg Studies / Austrian Literature / Nineteenth-Century Literature and Culture / Fin de siècle Vienna / Estética / Teatro / German/Austrian/Swiss Drama and Theatre / 19th- and 20th-century German and Austrian literature / Hugo von Hofmannsthal / Arthur Schnitzler / Austrian Studies / Hofmannsthal / Claudio Magris / The Habsburg Myth / Austrian Theater / Carl Schorske / 19th-and 20 century Austrian Theater / Literatura europea del siglo XIX

Ojos bien cerrados: La sublime “adaptación” de lo ominoso

Sigmund Freud / The Sublime / Stanley Kubrick / Arthur Schnitzler / ANALISIS CINEMATOGRAFICO / Lo Ominoso
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